Born in Armenia, Davit Hovhannisyan began dancing at the age of six and four years later he was accepted into the National Ballet School of Armenia on full scholarship. At the age of 16 he began his professional career with the Armenian National Ballet Company. After arriving in the United States he received critical acclaim dancing with numerous companies throughout the country and joined Milwaukee Ballet in 2004. He is a principal dancer with Milwaukee Ballet where he is in his ninth season. He has dance many principal roles such as Romeo in Romeo & Juliet, Basilio in Don Quixote, Rudolfo in La Boheme, the title role in Dracula, Oberon in A Midsummer Night’s Dream, Captain Hook/Mr. Darling in Peter Pan, Prince Solor in La Bayadere, Tamino in The Magic Flute, Captain Phoebus in The Hunchback of Notre Dame, Prince Siegfried in Swan Lake, Moon Prince in Scheherazade, Franz in Coppélia, and leads in The Nutcracker, as well as numerous leads in contemporary ballets. Davit has worked with contemporary choreographers including Michael Pink, Stephen Mills, Bruce Wells, Diane Coburn Bruning, Trey McIntyre, Margo Sappington, Kathryn Posin and Mark Godden, among many others. Davit is sponsored by Reina and Brad Brekke.(Photo by: Eduardo Patino.NYC)
Ballet Master| Born in Madrid, Spain, Luz San Miguel received her training at Carmina Ocana Ballet School, and on a scholarship at the Municipal Institute of Ballet in Antwerp, Belgium. Prior to joining Milwaukee Ballet, she danced with BalletMet, Charleston Ballet Theater, Tulsa Ballet, Dresden Ballet and Leipziger Ballet in Germany. She has performed as a guest artist in Italy, Spain, Switzerland, Belgium, Germany, Portugal and several cities in the United States. Luz has performed leading roles in ballets by John Cranko, George Balanchine, John Neumeier, Nacho Duato, Anthony Tudor, Stanton Welch, Uwe Scholz, Glen Tetley, Paul Taylor, Lila York and Jerome Robbins among others. During her time with Milwaukee Ballet, she has performed roles such as Lucy in Dracula, Clara and Marie in The Nutcracker, Odette/Odile in Swan Lake, Kitri and Matador Lady in Don Quixote, Tinker Bell in Peter Pan, Swanhilda in Coppélia, the lead roles in Cinderella, Esmeralda, Romeo & Juliet and La Bohème. Luz is returning for her fourth season with Chamber Dance Project. (Photo by: Eduardo Patino.NYC)
Ashley Murphy began her dance training at age 3. She trained at Inter City Row Modern Dance company under the direction of Luther Cox until age 10. Subsequently, she was enrolled in the pre-professional division at Carol Anglin Dance Center from 1994-2002 where she became a member of Louisiana Dance Theater, an Honor Company of Regional Dance America. While at LDT she performed for the Shreveport Opera and Moscow State Ballet. She also premiered a new work "The Leaf Men and The Brave Good Bugs" by William Joyce the creator of Disney's Rolie Polie Olie and the movie Epic. She represented LDT in the Regional Dance America performance at the International Ballet Competition in Jackson, Mississippi and attended summer programs at New York’s Joffrey Ballet School and The Ailey School. In 2002, Ms. Murphy went on to train and perform with Dance Theatre of Harlem’s Dancing Through Barriers® Ensemble. The following year, she was accepted into the DTH Company and toured with them throughout the United States and to other countries including Great Britain, Germany, Italy, and Greece. Ms. Murphy has also taught for the DTH Pre-Professional Residency at the Kennedy Center. She had the honor of performing at the White House for Dance Theatre of Harlem (the special aired nationally on PBS), BET’s 106 & Park, and Jeopardy. She was also selected to represent the U.S. in a cultural exchange program in Kingston, Jamaica. In 2011, she was chosen for a new work by Christopher L. Huggins that was commissioned by Dancers Responding to AIDS for the Fire Island Dance Festival. During Dance Theatre of Harlem's eight year hiatus, Ashley was influential in helping to restore the company by performing in the Dance Theatre of Harlem Ensemble that continued to share DTH's legacy. She has been featured on the cover of Pointe magazine with Misty Copeland and Ebony Williams as well as various other publications such as Dance Magazine, Time Out Magazine, and Self Magazine online to name a few. Ashley was also honored to be featured in a nationwide commercial for Verizon Wireless in 2014. Ashley is returning for her second season with Chamber Dance Project.
Photo by Theo Kassenas
Born in Boston, Patric Palkens began his training at the age of four at his mothers studio. Studying primarily jazz, tap, and hip hop, Patric competed in many competitions across the United States. His introduction to ballet came in the form of a scholarship to train with the School of Ballet of the Municipal Theater of Santiago, Chile. After which he trained with Pacific Northwest Ballet, Ballet Chicago, and the Orlando Ballets Second Company. Upon joining the main company of the Orlando Ballet Patric performed in many world premiere's by Director Robert Hill. After joining Cincinnati Ballet in 2011, Palkens quickly rose through the ranks to Soloist after only a few short months. Following a last-minute stand-in—and wildly successful— performance as Romeo in 12-13’s Romeo & Juliet, Palkens was promoted to Senior Soloist. Premiering in works by George Balanchine, Alejandro Cerrudo, Annabell Lopez Ochoa, Ma Cong, Devon Carney, James Kudelaka, Adam Hougland, Septime Webre, Victoria Morgan and Val Caniparoli. At the age of twenty five Patric left Cincinnati ballet to dance with the Landestheater of Salzburg Austria, only to return to Cincinnati one year later. This is Patric’s second season as a Principal dancer. This is will be Patric's first season with Chamber Dance Project.
Gian Carlo Perez
Gian Carlo Perez, from Havana, Cuba, danced with Ballet Nacional de Cuba directed by Alicia Alonso. His dancing has taken him to Spain, Panama, Italy and France. Perez participated in the Teaching Award, won by Cuba in Rome. In 2013, Perez toured to Spain to celebrate the Ballet Nacional de Cuba’s 70th anniversary. Gian Carlo participated in a ballet series in Panama along with the country’s first solo dancer Manuela Navarro and then performed together in the USA International Ballet Competition in Jackson, Mississippi. Perez participated in the Gala of the Stars of the 21st Century. This will be Gian Carlo's second season with Chamber Dance Project.
Angelina Sansone left her home in Charlotte, North Carolina at the age 14 to attend the Harid Conservatory with a full-tuition scholarship. She then spent two seasons with the Joffrey Ballet of Chicago where she appeared in Robert Altman’s 2003 film The Company. Following her stay with Joffrey, Ms. Sansone worked toward her B.S. in ballet at Indiana University before she joined Kansas City Balletin 2005. In her seasons with Kansas City Ballet, she has performed principle parts in Apollo, The Concert, Lark Ascending, Afternoon of a Faun, Dark Elegies, Splendid Isolations III, Mozartiana, Giselle, Petal, Rite of Spring and the title role in Romeo & Juliet. She had the opportunity to perform Ben Stevenson’s End of Time at the International Ballet Festival of Colombia, South America. During the off seasons, Angie has enjoyed guesting with Motion Dance Theatre and Kansas City Dance Festival. This will be Angie's first season with Chamber Dance Project.
Ballet Master, Dancer | Luis is from Mayaguez, Puerto Rico, and is in his eleventh season with The Washington Ballet. Prior to joining The Washington Ballet, Luis was a principal dancer with Ballet Arizona for six years and a soloist with Ballet Theater of Maryland for two years. Many roles have been created on him by choreographers including Moses Pendleton, Ib Anderson, Dwight Rhoden, Septime Webre, and Annabelle Lopez-Ochoa and his repertoire includes featured roles include Snow King, Drosselmeyer and Anacostian Man in The Nutcracker, Tom Buchanan in The Great Gatsby, Lord Capulet in Romeo and Juliet, Captain Hook in Peter Pan and the Cheshire Cat in the world premiere of ALICE. His contemporary roles include the Red Rooster in Christopher Bruce’s Rooster, featured dancer in Sueno de Marmol by Annabelle Lopez Ochoa, La Ofrenda and Wunderland by Edward Liang. Luis began his training in Puerto Rico under the direction of Elizabeth Calero before accepting a scholarship to Point Park University in Pittsburgh. He completed his bachelor’s degree of interdisciplinary studies in Dance and Psychology at Arizona State University and is now pursuing a MFA in Dance at George Mason University where he also serves as an Assistant Professor. Luis is returning for his fourth season with Chamber Dance Project. (Photo by: Eduardo Patino.NYC)
Claudia Chudacoff, principal musician, violinist, is concertmaster of the National Gallery Orchestra and the Alexandria Symphony, and recently retired as concertmaster of the U.S. Marine Band's White House Chamber Orchestra. She is currently enjoying a temporary full-time contract with the National Symphony Orchestra. An active chamber musician, she performs regularly as a member of the Sunrise Quartet, appearing both locally and internationally. Claudia is the Director of the College Park Youth Orchestra's Chamber Ensemble, and coach of the MCYO string quartet, which for the past two years successfully competed in international competitions. She was a teaching assistant to Sylvia Rosenberg while at the Eastman School of Music, where she earned both her Bachelor and Master of Music degrees. Claudia's primary teachers were Michael Avsharian in Ann Arbor and Sylvia Rosenberg and Zvi Zeitlin at Eastman. This is her fourth season with Chamber Dance Project Claudia is sponsored by Charlotte A. Cameron and Jerry Andersen. (Photo by: Eduardo Patino.NYC)
Derek Smith, violist, performs regularly with the National Philharmonic Orchestra and the Washington National Opera Orchestra at Kennedy Center, and is Associate Principal of the Annapolis Symphony Philharmonic. He also performs with Harrisburg Symphony Orchestra, Alexandria Symphony Orchestra, the Amadeus Orchestra, Eclipse Chamber Orchestra, and the Chesapeake Bay Orchestra. An active chamber musician, Derek is a member of the Teiber Trio and founding member of New Orchestra of Washington. He has played and worked with some of the best chamber musicians including the late Isidore Cohen, Pinchas Zukerman, the Guarneri String Quartet, and the American String Quartet. This will be Derek's fourth season with Chamber Dance Project. (Photo by: Eduardo Patino.NYC)
A native of Wisconsin, Derek began his musical studies at the age of 3 with early training from Dr. Rolan and Almita Vamos of Chicago, and continued at the Interlochen Arts Academy, where he received his high school diploma. He received his Bachelor and Master music degrees in Viola Performance at the Manhattan School of Music where he studied with Sylvia Rosenberg and Patinka Kopec. The Manhattan School of Music awarded Derek with the Hugo Kortzchek Chamber Music Award for his outstanding work in the chamber music community. (Photo by: Eduardo Patino.NYC)
Violinist, Chaerim Smith, received her Bachelors of Music Degree from the Manhattan School of Music where she studied with Lucie Robert and later with Lisa Kim of the New York Philharmonic. Originally from Houston, Texas, Chaerim now resides in Springfield, Virginia with her husband, violist Derek Smith. She is currently a member of “The President’s Own” United States Marine Chamber Orchestra performing regularly at the White House and other high profile government venues. She is also co-founder of the New Orchestra of Washington. Mrs. Smith performs with various orchestras in the area, such as the National Symphony, Richmond Symphony, the National Philharmonic, the Virginia Chamber Orchestra and the Chesapeake Bay Orchestra in St. Mary’s, MD. Mrs. Smith is also a regular member of the Harrisburg Symphony, where she served as Assistant Principal Second Violin from 2005-2009. She has performed in many prestigious venues, such as Carnegie Hall, The Kennedy Center, Wolf Trap, The Verizon Center, Strathmore and the National Cathedral. She has had the privilege of playing under some of the world’s most prestigious conductors, such as Kurt Masur, Pinchas Zukerman, Gunther Schuller and Gerard Schwarz and has worked closely with world renown chamber musicians, Paul Katz, David Geber, Michael Tree and the late Isidore Cohen. Chaerim returns for her fourth season with Chamber Dance Project and is sponsored by Robin and Tom Clarke. (Photo by: Eduardo Patino.NYC)
Being a diverse musician, Chaerim has performed with great popular artists such as U2, Barry Manilow, Olivia Newton John and Joel Grey. (Photo by: Eduardo Patino.NYC)
Cellist, Sean Neidlinger, received his Bachelor of Music from the Cleveland Institute of Music under the tutelage of Richard Aaron and pursued further studies at New England Conservatory with Paul Katz. Described as “fiery” and “impassioned” by the Washington Post, Sean’s playing has garnered top prizes at several orchestra concerto competitions. He has been featured as a soloist and chamber musician at the Korean, German, French, and Austrian embassies, the Phillips Collection, the Kennedy Center Millennium Stage and Terrace Theatre, the Washington Metropolitan Philharmonic and the Friday Morning Music Club orchestras. He also has performed with the Baltimore Symphony Orchestra, the Kennedy Center Opera House Orchestra, the Eclipse Chamber Orchestra, and has served as principal cellist of the Amadeus, Winchester, McLean Orchestras. Sean toured Europe as a chamber musician and as a soloist for the world premiere of the Rodriguez Elegy and Rondo for cello and wind ensemble. He also toured throughout the Caribbean on a program of cultural outreach sponsored by the Department of State. Sean won a grant to create a performance installation alongside the Warhol exhibition at the National Gallery of Art. Sean returns for his second season with Chamber Dance Project.
Named “one of Washington’s preeminent jazz singers" and "brightest voices in jazz” (The Washington Post), as well as a “major league young talent in jazz” (Duke Ellington’s biographer, Dr. John Hasse), jazz vocalist and D.C. area-native Lena Seikaly is already making her mark in national and international jazz circles as a revivalist of traditional jazz vocals, as well as an innovator in contemporary vocal jazz styles. She was one of eleven semi-finalists for the prestigious 2015 Thelonious Monk Institute International Jazz Vocals Competition in L.A., and is an alum of the Betty Carter Jazz Ahead program at the Kennedy Center, the Jazz Aspen Snowmass program directed by Christian McBride, and the Strathmore Artist-in-Residence program in Maryland. As the leader of her own trio, quartet and quintet, Lena has performed to sold-out crowds at national and international venues and festivals including the Kennedy Center, Blues Alley, the Elkhart Jazz Festival and the Mel Bay Jazz Festival, and most recently the among others, and has released three albums under her name. As an avid educator and workshop instructor, she teaches privately and has led regular workshops on jazz vocals at the Strathmore Music Center. Lena is also a classically-trained operatic mezzo-soprano, and continues to perform as an in-demand soloist alongside the DC area's top orchestras and choirs, having been featured in works by Handel, Bach, Mozart, Vivaldi, Durufle, Vaughn Williams, Barber and Bernstein, as well as 20th century and early sacred music. (Photo by Leah Appel)
Bekah Nettekoven Tello
Costume Designer, Rebekah Nettekoven Tello, grew up in Hershey, Pennsylvania before heading to Ohio where she studied comprehensive theatre and creative writing. Having been in the DC area for nearly ten years she has spread her creative fingers across several artistic and academic opportunities. She has a master’s degree in Theatre History and Literary Criticism from The Catholic University of America where she focused on the intersection of performance and medicine in 18th century London. She has written for DC Theatre Scene reviewing the Fringe Festival, taught elementary and middle school students through CAREActor, and provided costume research for designers. Rebekah joined The Washington Ballet five years ago as a wardrobe assistant after some time at the Shakespeare Theatre Company. While at TWB she has had the privilege of working with designers such as Vandal and Christine Darch, as well as assisting on the build of Annabelle Lopez Ochoa’s Prism, and Septime Webre’s Alice (In Wonderland), The Sun Also Rises, and Sleepy Hollow. This is Rebekah’s third season working with Chamber Dance Project and her first foray into costume design with Songs by Cole. Her design work is the culmination of years spent upcycling and experimenting with curtains, lampshades, vintage finds, and thrifted treasures to create garments with a touch of history that tickle her senses.